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Resonators [i] artist: Keith Fullerton Whitman year: 2020 label: Hi-Res Audio catalog_no: h-ra-002 country: US discogsID: 15450160 format:
1xCAS
tracks:
A-1: Keith Fullerton Whitman - James Blake; "Retrograde" (2013)
A-2: Keith Fullerton Whitman - Broadcast; "Echo's Answer" (1999) A-3: Keith Fullerton Whitman - Aphex Twin; "Alberto Balsalm" (1995) A-4: Keith Fullerton Whitman - Robin S.; "Show Me Love" (1990) A-5: Keith Fullerton Whitman - The Cure; "Lovesong" (1989) A-6: Keith Fullerton Whitman - Depeche Mode; "Never Let Me Down Again" (1987) A-7: Keith Fullerton Whitman - Genesis; "Throwing It All Away" (1986) A-8: Keith Fullerton Whitman - Strawberry Switchblade; "Go Away" (1985) A-9: Keith Fullerton Whitman - Duran Duran; "The Chauffeur" (1982) A-10: Keith Fullerton Whitman - Iron Maiden; "Wrathchild" (1981) A-11: Keith Fullerton Whitman - Visage; "Fade To Grey" (1980) B-1: Keith Fullerton Whitman - Yes; "Heart Of The Sunrise" (1971) B-2: Keith Fullerton Whitman - Pink Floyd; "Fearless" (1971) B-3: Keith Fullerton Whitman - Elton John; "Your Song" (1970) B-4: Keith Fullerton Whitman - King Crimson; "I Talk To The Wind" (1969) B-5: Keith Fullerton Whitman - Fairport Convention; "Tale In Hard Time" (1969) B-6: Keith Fullerton Whitman - Fairport Convention; "Fotheringay" (1969) B-7: Keith Fullerton Whitman - Bridget St. John; "Autumn Lullaby" (1969) B-8: Keith Fullerton Whitman - Fleetwood Mac; "Albatross" (1968) B-9: Keith Fullerton Whitman - Dusty Springfield; "Goin' Back" (1966) |
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['Electronic']styles:
['Ambient', 'Abstract', 'Chillwave', 'Dark Ambient', 'Drone']tags:
['C-90']notes:
Here is the second offering in a series of short-run releases; a cassette edition of the entirety (slowed down to exactly 91.785% of the original playing-speed via the 48k/44.1k interchange) of the first wave of "Resonators". These tapes were produced as a "Birthday Edition" in late May, 2020, and come as Maxell Professional Industrial (P/I) Duplicator Series C90 Audio Cassettes (including the black-plastic T-bar spindle-stabilizers) in smoky-grey shells in White Norelco Boxes along with printed labels & J-Cards featuring the full-res "Composite" artwork (detail on both sides) all snug inside a BOXPRO® Audio Cassette Case Protector with the "Hi-Res Audio" sticker affixed to the outside of the Norelco box. Due to the nature of the high-speed dubbing process, the specific tapes used, and the laws of force & friction, the (welcome) addition of manufacturing artifacts such as slow-motion tremolo/vibrato & assorted phase/frequency-shifting can be heard throughout the program, which is just about the most goddamm beautiful thing I've ever heard (if there was ever a "Mixtape" of music made for this exact sort of supernatural audio-intervention, it's this one) &, as such, each copy has its own ghosts, personality, & peccadilloes.